During my studies in visual arts and when I followed the training offered by the school Emile Cohl Lyon, I mainly used acrylic and gouache. The watercolor came very gradually on the advice of my teachers who judged that I worked gouache with a watercolorist sensitivity.

The peculiarity of watercolor is that transparency obviously does not support overload. At first, I had a minimum material, a pencil, some chalks. The mixture of pencil and white chalk allowed me to get a blue without getting any extra tool! Today, I sometimes add white gouache in my watercolors to get a velvety white-blue.

My palette was reduced little by little because I felt that my images were lost in colors and lacked efficiency. I took a liking to these splendid colored grays enhanced by some saturated touches. But the colors still fascinate me and I do a lot of studies in which I experiment them.